American Indian Inspired Quiver

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After over a year since posting, I figured it was high time for an update. Charlie is busy plaiting, he has a constant steady flow of orders from his Etsy Shop,¬†between work and play and plaiting, there’s not much time left for blogging. So you’re stuck with me again, and I’ll do my best to fill you in accurately on the details.

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Some time back, over beers and mojitos before heading to a gig, Charlie made a good old fashioned barter deal with a mate. Skulls for a Quiver. He received the skulls a year ago, and was a very happy vegemite indeed. The Quiver was finished a couple of months back, but has only last week been handed over to its rightful owner.

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The quiver design took inspiration from our trip overseas last year. We visited an Indian Art Centre in California, and had our minds officially blown with the incredible workmanship we saw. A few treasured pieces were purchased including a hand carved stone broadhead which was the final detail stitched on to the Quiver.

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This is the first quiver Charlie has made and it really was a labour of love. Painstaking details were added with precision and a great eye for design. Hand stitching and spanish lacing are the special details that bought the whole thing together.

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The main part of the quiver and all the stitching is done with Kangaroo Leather, hand cut, bevelled and stitched by Charlie. The tassels are suede from cow hide. The feathers have all been collected over time, with traditional crow feathers used along with some baby owl feathers.

The whole thing is really stunning, even if you don’t do archery or go out into the wilderness to shoot things Robin Hood / Game of Thrones style. It’s a piece of handmade art that is both functional and beautiful. I don’t think craft gets better than, function and beauty is a wicked combo, and I reckon Charlie nailed it on this one.

Hopefully we’ll see you again soon, not so long in between posts is the plan. Stay tuned!

The Stockmans Wife… (aka Little White Dove)

How do you plait a leather belt?

I hear you ask…

Maybe not, but I thought it was interesting… It’s a big, long, time consuming process that I am fascinated by. I should introduce myself, I’m Charlies wife so you can call me The Stockman’s Wife! (I do go also go by the name Little White Dove ’round these parts.)

Charlie is busy plaiting up orders at the moment, so I thought I would pop by and show you some of the processes he goes through to make a leather plaited item. I’ve been taking photographs of Charlie at the different stages of plaiting for a while, with this post in mind… I hope you enjoy!

THE HIDE
This is how the Kangaroo hide arrives. A very large piece of leather indeed. Sitting on top is a whole hide cut into one very big long strand.

the tool
I know this looks like some weird kind of contraption that you’d probably want to throw out on hard rubbish, but this is the cutting tool. It was handmade by the lovely old guy, mentor, and friend of Charlies who taught him how to plait, Rod Moore.

CUTTING
It takes great skill and a lot of practice to cut leather like this. Once you get a strand going, you just keep pulling it through, going around and around the hide.

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I know it’s hard because I have tried. Not very successfully! It’s so easy to just chop of the strand or make it too skinny. The idea is to adjust the width of the blade according to what you are making (ie belt, necklace, whip, watchband etc – they are all different widths), then cut the whole length in one go… without breaking it… easier said than done for a novice believe me.

HIDE AND CUTTER
The roo hides come with their own stories… You can see the scratches and war wounds on the hide and get a bit of an idea of how tough life was for the roo. Sometimes if the scratches are too deep you have to cut that bit out otherwise it will weaken the strand.

BEVELLING
Next step is the bevelling and stretching. Once again this old hand made wooden tool was passed down to Charlie, and is probably as old the cutter, at least 30 years old. It’s very basic but does the job. Bevelling the underside of the strands creates a neater flatter plaited product. Again, super hard to do without cutting right through it. I may or may not have ruined many long strands trying to do this!

BEVELLING A WHOLE HIDE
It’s best to bevel and stretch the strands in a big open space, where you can walk backwards long distances without running into anything. We often go crafting in our fave gardens where Charlie bevels his little heart out whilst I crochet.

THE TOOLS
If it’s raining, Charlie will do the bevel and stretching in stages at home. We end up with a lot of little scrappy bits of leather, which if left outside, make great nests for the birds.

WAXING
After bevelling comes waxing. Old candles never go to waste around here as Charlie uses them to run up down the length of the strands in preparation for plaiting.

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The waxing process makes the plaiting smoother and easier… making the strands more pliable.

PLAITING
Finally, the plaiting can begin. After measuring out the length of the item being made, working out the number of strands to plait a particular pattern and create a certain width, then the long strands are cut into the correct lengths.

MORE PLAITING
Plaiting requires very strong hands, and thumbs in particular, to smooth out the plaits as you move along the item. This is a belt in the making and it takes hours and hours to just plait the belt, so you can imagine the time involved to create a belt from start to finish.

It’s an amazing process don’t you think? I liken it to seeing a ball of yarn turned into a blanket or hat or scarf. In fact what we do is not that dissimilar – we are both knotting/interweaving long strands of something. I admire the patience it takes for Charlie to get the plaiting stage. I just pick up a ball of yarn all ready to go, but that stage for Charlie is at the end of a long skillful set of process, that most people don’t know about. Which is why I thought I would share it with you. I hope you enjoyed it? Do let me know in the comments below if you did, I’d love to hear from you!
Cheers,
The Stockman’s Wife.

Let’s get Cracking!

I know it’s been quiet around here lately but I have been busy. My Etsy shop is open and today we’ve added the stockwhips. They were on this blog in the early days but we’ve done new photos and they look great. Check ’em out!16 strand stockwhip16 Strand Two Tone Kangaroo Hide 7ft Stockwhip.16 strand stockwhip2Some pretty intricate pattern going on here with 16 strands!16 strand stockwhip3I love that you can see how the whip tapers down, gradually and gently to the tail – this is the key to a Cracking good Whip! 12 strand stockwhip12 Strand Two Tone Kangaroo Leather 7ft Stockwhip12 strand stockwhip2Again, some serious pattern detail going down here with the 12 strands.12 strand lb stockwhip12 Strand Light Brown Kangaroo Leather 7ft Stockwhip12 strand lb stockwhip2

This is the Hitch Knot at the base of the handle…let’s just say this is one hell of a time consuming painstaking knot …. you can get yourself in a real tangle weaving this little beauty up!12 strand b stockwhip12 Strand Dark Brown Kangaroo Leather 7ft Stockwhip12 strand b stockwhip2Another Hitch Knot! Not so intricate as the leather isn’t as fine. Just a half plaited handle on this one to show off the traditional cane handle underneath. The cane is super lightweight which makes it easier to handle.

 

Ihave some more belts that I’ve just finished. We just need to get the photographs done but I’m pretty excited about them as I picked up some brilliant new R.M.Williams Crocodile Skin Buckles. They come up a treat – especially with a Crocodile Ridge plait. Back soon with those babies!

Cheers.